News

The August 2025 Chart

The top ten tracks for August 2025 from Wud Records have been published in a new compilation at SoundCloud.

This may be the last Top Ten compilation we publish in its current format. Big changes are underway at Wud Records. Further news posts regarding the changes will be published in our News service, and on BlueSky and X in the coming days.

Regarding the new chart, we shall elaborate further with regard to each platform where our music is represented.

Bandcamp Is Still the Best Platform for Artists

If you are not yet a member of Bandcamp, we strongly suggest you sign up, whether you are an indie label, a musician or a fan of music, or all three. Do it now! It’s free to join. Just click here. :)

For any independent artist or label wanting to sell music or merch, there is no better place on the web to do so. If you don’t believe us, check out any search engine to see what other artists have to say about what the best site is for independent artists and labels. Bandcamp are simply Numero Uno. Finito!

When you subscribe to a music streaming platform, you don’t actually *own* any of the music. You’re just renting a bit of bandwidth on their distribution service, and most of the rent revenue you are paying for it goes to big corporations rather than the artists you love. It’s a terrible business model, both for artists and fans alike.

Consider also this. There is always a danger that streaming services might remove music or artists from their platform (e.g. the recent dispute between Universal Music Group and TikTok), or the platform may even cease to exist altogether. Remember VitaminIC, MySpace, FriendsReunited?

To avoid having the soundtracks to your life erased, we strongly recommend buying physical media and downloads so you can listen to your favourite songs whenever you wish. You know it makes sense!

Whilst several music platforms offer music downloads, they all charge a lot more and take a much bigger percentage of that higher price then Bandcamp does.

This means that you pay more, the band receives less, and a big greedy corporation takes a big old chunk of the money you paid to support the artist all for itself, just because it can. It’s a lose-lose situation, unless you happen to be a big greedy corporation who can rip people off however the fancy takes them.

Buying music from Bandcamp will cost you less and support the artist more. About 80% to 85% of what you spend at Bandcamp goes directly to the artist or their label, and is paid daily.

So it’s always a good idea to download from Bandcamp whenever possible, as they are the best site for supporting artists. For us, one download of a €7 album is worth about 3300 snotify streams.

You can even pay more than the asking price for music on Bandcamp if you wish to add a little extra support for the artist. Again, this goes to the artists themselves, not some greedy anonymous megacorporation who only care for money, not the music you love.

There is also a rather fabulous Community feature at Bandcamp, and you can join ours by clicking here.

SoundCloud

Let’s begin by telling the sad tale of a disaster, which has been a catalyst for a number of the changes that are happening.

The entropy magnet, which we thought had been left back in the uk, returned with a vengeance in July.

Just as we were enjoying the best month we ever had on SoundCloud, our account was unexpectedly deleted by mistake. It was either a robot or a sleepy Sunday lunchtime employee that did it. We will probably never know. The account was subsequently restored, but it is still badly damaged. We lost 3998 followers in one moment of madness.

We are hoping that SoundCloud will reply to one of our emails, but they still have not. SoundCloud’s spectacularly poor customer service is unacceptable.

Be that as it may, whilst we still do not fully trust the information we get from SoundCloud and its Insights system, there has been enough improvement in data quality in the last couple of months for it to be useful again.

Shitify

We have issued takedown notices to our distributors. All of our music will disappear from spotify, and it may already have done so.

Truth be told, we dislike spotify rather intensely. Not only are they tardy regarding supplying their stats, which don’t cover the exact range of dates we would like them to, they have also implemented their most hideously egregious policy so far from 1st January 2024.

Spotify have chosen to take all of the revenue generated by any track having under 1000 streams and redistribute that revenue to the people who have the most streams, such as drake, kanye, taylor and so on.

Read about it here: https://blog.discmakers.com/2023/11/spotify-royalty-theft/

This isn’t just theft, it’s an absolute disgrace. Whoever thought this up should be ashamed of themselves and publicly rogered with a wire brush. Size four.

Should our music achieve more than 1000 streams per track, which is highly likely over the course of a whole year, that means we are in effect stealing somebody else’s royalties when we are paid.

Just because a creative person achieves under 1000 streams for a song doesn’t mean we have the right to take their royalties. They probably worked just as hard as we did to make and release their music. They are no less deserving of their royalties than anybody else.

The whole thing is mucky and bad and makes us feel dirty for being paid not just our own royalties, but those of people who were unable to make the cut. This is just so wrong. It’s a proper mess.

Not only that, some of our songs have had “excessive” plays. This excess has resulted in punitive measures, which we are still protesting. It seems ridiculous, but that is what has happened.

As such, we are boycotting spotify entirely. They are, after all, extremely shabby corporate scumbags, and have treated our label, and every other independent artist, with absolute contempt. Perhaps because we have spoken out repeatedly against their egregious policies?

Various members of our team have had quite heated arguments about the merits or otherwise of leaving our music on that wretched corporate megaplatform. More news regarding our final decision on the matter to come soon.

Deezer, Tidal, YouTube, Amazon, Apple Music, etc.

We are now using data from our distributors for streams on platforms such as YouTube, Deezer and so on when reckoning the monthly charts. Unfortunately the data arrives several days late, so we only use it to extrapolate general trends.

The data for these services filters through to us via our distributors, although we are not very trusting of it. At best we can get a general feel of what is going on across all of the streaming services this way.

In Conclusion…

Previously the algorithm we used gave greatest weight to downloads and reposts, then likes and comments (active engagement) over plays (passive engagement).

If somebody actually pays to download something, they must have liked it! Our artists and ourselves are always very grateful to our supporters in this respect. It genuinely helps keep the fires burning and the wheels turning.

When somebody reposts a track, that gives it the opportunity to be heard by a potential new fan. This is always a tremendous help for creative souls. It enables that track to be discovered and enjoyed by the community of the person doing the sharing, which can generate new fans.

A ‘like’ is nice, but reposts actually helps the artist reach a bigger audience. You create the chance for that to happen. Recommending a song costs you nothing at all and can be a massive help for an independent artist. Why not do it now? :)

How Did We Calculate The August 2025 Chart?

The latest system is based upon some of the general tendencies and trends that have occured over the last calender month, as well as specifics where they are available. These have been amalgamated together to make the new Top Ten.

We have combined the stats from the general trends and tendencies from all of the services mentioned above. Each platform is represented and results from each are weighted and added together. Archive tracks and bonus tracks are ignored. The feedback from people who clearly didn’t listen to the music is now rendered insignificant.

Only you, the listener, can influence our September 2025 chart. So if there is a song you particularly like, keep playing it! Leave a comment, repost it, share it to your social media feeds! Download it from our Bandcamp! Add it to a playlist! It absolutely can make a difference.

Thanks For All Your Help!

Massive thanks go out to everybody who helped to support all of us during August 2025 by listening to, commenting on and reposting our bands’ tracks on SoundCloud, Bandcamp and elsewhere.

All the wonderful fans of our bands who supported us with downloads from Bandcamp are especially appreciated. Just one download of a €7 album is worth about 3300 snotify streams. By buying a download, you genuinely help us keep the fires burning, and collectively we thank you for that most graciously. May you be blessed by the gods of rock n roll! :)

We would also like to say a special thank you to all the splendid people on Twitter and BlueSky who have been enjoying and reposting our tracks to their followers. All the support and positive feedback has been incredibly heartwarming for us all. It makes our endeavours here feel worthwhile.

Thank you very much to everyone who bought items from our merch store. Anyone who shares a photo of themselves with their Wud item on social media will receive an extra goody from ourselves once we have seen it and shared the photo on to our community as well.

If you buy something cool from the Flicker merch store, or the Dark Company merch store, we shall also send you an extra goody if you show us a photo of yourself (or friend, or environment) on social media with the item you purchased.

Last and by no means least, we would like to say thank you very much to all of the splendid people who have been buying us coffees at BuyMeACoffee. It’s very kind of you to help us out. All of these things absolutely contribute to ourselves being able to keep going, and spend more time making beautiful music for you to enjoy. It is truly appreciated very much indeed.

Who’s In The August 2025 Top Ten?

The latest top ten features only one act – the Band of Georges. Nine of the songs are new entries. The others one is a climber.

Now that all of the Band of Georges material has been released, we anticipate our charts may return to something more like normal. Although if the format is about to change…

Band of Georges

A few months ago, we absolutely could not have anticipated the level of dominance over the charts the Band of Georges has had. Why? We were not even expecting to release any of these songs at the start of March! How swiftly things can happen. And what a month it has been for one of our most revered stars, claiming all of the spots in the top ten.

The Wud Records website was launched in 2008, replacing the old Wud site which simply disappeared soon afterwards. Ever since before the Wud Records website went live, various people tried to persuade George to allow his old Tascam 244 portastudio demos to be released. He always refused, point blank. There was no arguing with him. It was just: “No.” And that was that.

And then, suddenly, he seems to have had a change of heart. He allowed a few of us to listen to his demos, which we thought were surprisingly good. Certainly a lot better than we had anticipated, given everything he had said about awful they were. Whatever it was that happened, we are delighted that it did. Because now, we have been allowed to release all of the volumes of his early songs in their demo form.

We have done very little work to these recordings. They were just lifted from their master cassettes and digitised in our studios, and normalised to 0dB. That was it. Everything sounds just as it was. The cassettes, nearly 40 years old, have stood the test of time very well.

The newest chart features one song from Volume VIII Side A, five from Volume VIII Side B, and four from Volume IX Side A. Will any of them feature next month?

There are no pages for the Band of Georges at Explicit Music at this time, although some may appear following further negotiations.

Each released song from the Band of Georges has a comment or a memory from George on its album’s page here at the Wud Records website. Some of that information, along with other facts regarding each song, appears at its page on SoundCloud. There is likely to be extra information given on the two separate pages, so we recommend you check out both.

For Volume VIII Side A at Wud Records, please click here.
For Volume VIII Side A at SoundCloud, please click here.
For Volume VIII Side B at Wud Records, please click here.
For Volume VIII Side B at SoundCloud, please click here.
For Volume IX Side A at Wud Records, please click here.
For Volume IX Side A at SoundCloud, please click here.

* None of our other acts made it onto the August 2025 chart. *

Listening Options

If you would like to go to SoundCloud to hear the top ten songs from Wud Records in August 2025, as played, liked, commented upon and reposted by listeners, please click here.

If you prefer to listen right here at the Wud Records website, you will find that it is the new default music player. You will find it on all non band-specific pages at the site, including our Links collection and homepage.

The August 2025 chart has its very own dedicated page among the charts pages of this website. You can listen to the new compilation on its page by clicking here.

Each of the previous charts also has its own page in the charts section of this website. If you would like to see all our old charts, or for any previous month you are especially interested in, all of them can be accessed easily by clicking here.

Everything is now released from the 4-track portastudio cassette demos of the Band of Georges. It’s taken a few months to release the songs at the rate of one per day, on most days at least, and it has been fascinating to hear all of this material. Some of it has gone viral, which was a surprise considering the lo-fi nature of the demos.

There was a little music more to add to the collection, such as the version of Won’t You Come Around My Way at the start of the B-side of Volume IX, but unfortunately the rest of the Volume IX and the Volume X cassettes have degraded way beyond what can be repaired. We have to be thankful – and feel lucky – that so much of this work has survived as well as it has on cassettes that are almost forty years old.

Whilst it is true that everything is now released, as far as we can tell, we plan to release a few additional compilations. These will comprise the songs that made up the sets of various bands. Now, Wud and Rough Terrain are slated for inclusion.

We also plan to make a compilation of all the songs that were meant for the untitled concept album.

It would appear that there may have been something of a cassette accident that took place during the mixing of Volume IX. It was almost certainly recorded over some other demos that George made, of just himself and his guitar, playing the most basic versions of his songs and talking about them a bit. We might release these (many!) tapes someday, but it won’t be soon. Anyhow, a number of these songs seem to have been recorded over, which is a great shame from an archival point of view.

The rest of the cassette which was Volume IX has a number of such songs. They are hard to hear due to the poor quality of the recording (possibly at Pentillie Crescent in Plymouth) and the previously mentioned cassette degradation. George wrote the names of the songs that remain in pencil on the cassette cover. You can see them if you look hard enough.

Volume X only has two songs – a full band version of I Know I Know You, based on the Wud version, which was originally recorded by Mark Drower and the Everyones.

Then there is a song by Senga called Feels Like I’m Flying. Senga herself sings beautiful harmonies on this wonderful song she created as a teenager.

It really is a pity that these two songs have degraded so badly. Perhaps one day we will be able to visit the original Tascam 244 cassettes, or perhaps some AI program will be able to restore them. Who knows.

Although George had written many more songs, he never got around to recording them in this format. There were various reasons for this.

Firstly, it took a massive amount of time for him to program the Boss DR 220A drum machine, and he found it a slog that degraded his creativity.

It was also 1991 by now, and that was the start of Dark Company. You can hear the Boss drum machine on Dark Company’s Signmaker album, and then after that, the band’s home studio received something of an upgrade. George subsequently sold the drum machine to Flo, who was a fine bass player and owned a small brewery in rural Devonshire.

There may be further developments regarding the Band of Georges, but they are not a priority for Wud Records now. We will try to negotiate terms for publishing with our partners at Explicit Music.

We also plan to upload some scans of some of the documents. We have a great pile of photocopies, which means the originals must exist somewhere. It would be better to scan and upload the originals, so that is the plan.

As everything is now released from the Band of Georges, and as some of it has done very well, is also likely that we shall release this music to other platforms, such as Bandcamp. More news on this will follow in the coming weeks.

During the release of the Band of Georges material, SoundCloud threw a massive spanner into our works. It was just over a month ago that a SoundCloud robot deleted our entire account after we reported some spam on one of our pages. Around 24 hours later the Wud Records SoundCloud was restored, but it has been very badly damaged. We lost 3998 followers, and not one word from SoundCloud themselves.

SoundCloud have not once contacted us to tell us what they plan to do about repairing our account, which they broke. This is despite ourselves maintaining a top level premium account with them for almost eleven years. No word of apology. Nothing. We find this unacceptable.

We are looking into both HearThis and Audiomack, among others, as alternatives. They are the frontrunners, along with Bandcamp of course. If SoundCloud don’t want our monthly subscription any more, we can give it to a company that actually cares about its users.

Next month we shall release some of the material that we have been working on over the last few months. You can look forward to new songs from Pok the Bard, Dark Company, The Bastard Sons of Dennis and Flicker. There will also soon be news forthcoming regarding the platforms where you can stream our music.

If you would like to listen to any of the songs by the Band of Georges, please click here to choose a cassette to enjoy.

The July 2025 Chart

The top ten tracks for July 2025 from Wud Records have been published in a new compilation at SoundCloud.

The entropy magnet, which we thought had been left back in the uk, returned with a vengeance in July.

Just as we were enjoying the best month we ever had on SoundCloud, our account was unexpectedly deleted by mistake. It was either a robot or a sleepy Sunday lunchtime employee that did it. The account has subsequently been restored, but it is not yet fully fixed.

We are still hoping that SoundCloud will reply to one of our emails, but they haven’t yet. They are spectacularly poor at customer service, however desperate things are. If the robots can’t answer it, it doesn’t get answered. No customer service will likely end in no customers.

The entire debacle has made us feel incredibly uncomfortable with how dependent we are upon that one platform for our music.

As such, we have started moving our music to HearThisAt and will be adding more to Bandcamp, to increase our resilience to any further bizarre outbreaks of entropy. We are not sure how long the move will take.

Regarding the new chart, we shall elaborate further with regard to each platform where our music is represented.

Bandcamp Is Still the Best Platform for Artists

If you are not yet a member of Bandcamp, we strongly suggest you sign up, whether you are an indie label, a musician or a fan of music, or all three. Do it now! It’s free to join. Just click here. :)

For any independent artist or label wanting to sell music or merch, there is no better place on the web to do so. If you don’t believe us, check out any search engine to see what other artists have to say about what the best site is for independent artists and labels. Bandcamp are simply Numero Uno. Finito!

When you subscribe to a music streaming platform, you don’t actually *own* any of the music. You’re just renting a bit of bandwidth on their distribution service, and most of the rent revenue you are paying for it goes to big corporations rather than the artists you love. It’s a terrible business model, both for artists and fans alike.

Consider also this. There is always a danger that streaming services might remove music or artists from their platform (e.g. the recent dispute between Universal Music Group and TikTok), or the platform may even cease to exist altogether. Remember VitaminIC, MySpace, FriendsReunited?

To avoid having the soundtracks to your life erased, we strongly recommend buying physical media and downloads so you can listen to your favourite songs whenever you wish. You know it makes sense!

Whilst several music platforms offer music downloads, they all charge a lot more and take a much bigger percentage of that higher price then Bandcamp does.

This means that you pay more, the band receives less, and a big greedy corporation takes a big old chunk of the money you paid to support the artist all for itself, just because it can. It’s a lose-lose situation, unless you happen to be a big greedy corporation who can rip people off however the fancy takes them.

Buying music from Bandcamp will cost you less and support the artist more. About 80% to 85% of what you spend at Bandcamp goes directly to the artist or their label, and is paid daily.

So it’s always a good idea to download from Bandcamp whenever possible, as they are the best site for supporting artists. For us, one download of a €7 album is worth about 3300 snotify streams.

You can even pay more than the asking price for music on Bandcamp if you wish to add a little extra support for the artist. Again, this goes to the artists themselves, not some greedy anonymous megacorporation who only care for money, not the music you love.

There is also a rather fabulous Community feature at Bandcamp, and you can join ours by clicking here.

SoundCloud

We lost 3987 followers at SoundCloud due to an error by either a SoundCloud robot or a SoundCloud employee. We are extremely unhappy about it. Nobody has replied to any email yet, which is pathetic.

Whilst we still do not fully trust the information we get from SoundCloud and its Insights system, there has been enough improvement in data quality in the last couple of months for it to be useful again.

Shitify

The data from the Wud Records Snotify for Artists pages covers everybody at that platform on our label. We also use the Snortify data from our distributors CD Baby and Soundrop.

Truth be told, we dislike spotify rather intensely right now. Not only are they tardy regarding supplying their stats, which don’t cover the exact range of dates we would like them to, they have also implemented their most hideously egregious policy so far from 1st January 2024.

Spotify have chosen to take all of the revenue generated by any track having under 1000 streams and redistribute that revenue to the people who have the most streams, such as drake, kanye, taylor and so on.

Read about it here: https://blog.discmakers.com/2023/11/spotify-royalty-theft/

This isn’t just theft, it’s an absolute disgrace. Whoever thought this up should be ashamed of themselves and publicly rogered with a wire brush. Size four.

Should our music achieve more than 1000 streams per track, which is highly likely over the course of a whole year, that means we are in effect stealing somebody else’s royalties when we are paid.

Just because a creative person achieves under 1000 streams for a song doesn’t mean we have the right to take their royalties. They probably worked just as hard as we did to make and release their music. They are no less deserving of their royalties than anybody else.

The whole thing is mucky and bad and makes us feel dirty for being paid not just our own royalties, but those of people who were unable to make the cut. This is just so wrong. It’s a proper mess.

Not only that, two of our songs have had “excessive” plays. This excess has resulted in punitive measures, which we are still protesting. It seems ridiculous, but that is what has happened.

One such song, Future Sadness Past from Dark Company‘s Signmaker album, was removed from spotify completely. In order to punish us for having our song played “excessively”, the rest of the Signmaker album was also removed from spotify.

The other missing track is Welcome to the Family by Flicker, from At Least 1000 Words.

Our distributors have so far been unable to help regarding these issues.

As such, we are considering boycotting spotify entirely. They are, after all, extremely shabby corporate scumbags, and have treated our label, and every other independent artist, with absolute contempt. Perhaps because we have spoken out repeatedly against their egregious policies?

Various members of our team have had quite heated arguments about the merits or otherwise of leaving our music on that wretched corporate megaplatform. For now it is still there, because it is easier to leave it there, than it is to remove it and then put it back. More news on this to come soon.

Deezer, Tidal, YouTube, Amazon, Apple Music, etc.

We are now using data from our distributors for streams on platforms such as YouTube, Deezer and so on when reckoning the monthly charts. Unfortunately the data arrives several days late, so we only use it to extrapolate general trends.

The data for these services filters through to us via our distributors, although we are not very trusting of it. At best we can get a general feel of what is going on across all of the streaming services this way.

In Conclusion…

Previously the algorithm we used gave greatest weight to downloads and reposts, then likes and comments (active engagement) over plays (passive engagement).

If somebody actually pays to download something, they must have liked it! Our artists and ourselves are always very grateful to our supporters in this respect. It genuinely helps keep the fires burning and the wheels turning.

When somebody reposts a track, that gives it the opportunity to be heard by a potential new fan. This is always a tremendous help for creative souls. It enables that track to be discovered and enjoyed by the community of the person doing the sharing, which can generate new fans.

A ‘like’ is nice, but reposts actually helps the artist reach a bigger audience. You create the chance for that to happen. Recommending a song costs you nothing at all and can be a massive help for an independent artist. Why not do it now? :)

How Did We Calculate The July 2025 Chart?

The latest system is based upon some of the general tendencies and trends that have occured over the last calender month, as well as specifics where they are available. These have been amalgamated together to make the new Top Ten.

We have combined the stats from the general trends and tendencies from all of the services mentioned above. Each platform is represented and results from each are weighted and added together. Archive tracks and bonus tracks are ignored. The feedback from people who clearly didn’t listen to the music is now rendered insignificant.

Only you, the listener, can influence our July 2025 chart. So if there is a song you particularly like, keep playing it! Leave a comment, repost it, share it to your social media feeds! Download it from our Bandcamp! Add it to a playlist! It absolutely can make a difference.

Thanks For All Your Help!

Massive thanks go out to everybody who helped to support all of us during July 2025 by listening to, commenting on and reposting our bands’ tracks on SoundCloud, Bandcamp and elsewhere.

All the wonderful fans of our bands who supported us with downloads from Bandcamp are especially appreciated. Just one download of a €7 album is worth about 3300 snotify streams. By buying a download, you genuinely help us keep the fires burning, and collectively we thank you for that most graciously. May you be blessed by the gods of rock n roll! :)

We would also like to say a special thank you to all the splendid people on Twitter and BlueSky who have been enjoying and reposting our tracks to their followers. All the support and positive feedback has been incredibly heartwarming for us all. It makes our endeavours here feel worthwhile.

Thank you very much to everyone who bought items from our merch store. Anyone who shares a photo of themselves with their Wud item on social media will receive an extra goody from ourselves once we have seen it and shared the photo on to our community as well.

If you buy something cool from the Flicker merch store, or the Dark Company merch store, we shall also send you an extra goody if you show us a photo of yourself (or friend, or environment) on social media with the item you purchased.

Last and by no means least, we would like to say thank you very much to all of the splendid people who have been buying us coffees at BuyMeACoffee. It’s very kind of you to help us out. All of these things absolutely contribute to ourselves being able to keep going, and spend more time making beautiful music for you to enjoy. It is truly appreciated very much indeed.

Who’s In The July 2025 Top Ten?

The latest top ten features only one act – the Band of Georges. Five of the songs are new entries. Three of the others are climbers and there are two fallers.

We anticipate a lot of new entries will find their way into our charts until all of the Band of Georges material has been released.

It is possible we will be finished with those releases during the forthcoming month of August. Once they are done, the other things we have finished in the meantime will also be released. Lots to look forward to!

Band of Georges

As we have been releasing a lot of the Band of Georges demos, and shall continue to do so until they are all available, our charts are likely to be a bit strange for a month or two longer yet. We were typically seeing 500 to 1000 streams on SoundCloud every day before our account there was unexpectedly deleted in error, and not even Spotify could compete with that.

A couple of months ago, we absolutely could not have anticipated the level of dominance over the charts the Band of Georges has had. Why? We were not even expecting to release any of these songs at the start of March! How swiftly things can happen. And what a month it has been for one of our most revered stars, claiming all of the spots in the top ten.

The Wud Records website was launched in 2008, replacing the old Wud site which simply disappeared soon afterwards. Ever since before the Wud Records website went live, various people tried to persuade George to allow his old Tascam 244 portastudio demos to be released. He always refused, point blank. There was no arguing with him. It was just: “No.” And that was that.

And then, suddenly, he seems to have had a change of heart. He allowed a few of us to listen to his demos, which we thought were surprisingly good. Certainly a lot better than we had anticipated, given everything he had said about awful they were. Whatever it was that happened, we are delighted that it did. Because now, we have been allowed to release all ten volumes of his early songs in their demo form.

We have done very little work to these recordings. They were just lifted from their master cassettes and digitised in our studios, and normalised to 0dB. That was it. Everything sounds just as it was. The cassettes, nearly 40 years old, have stood the test of time very well.

All of these songs will take a bit more time yet to release. Volumes I to VII are finished aleady and Volume VIII is past its halfway point, with Side A finished and Side B underway.

Had the fiasco of SoundCloud deleting our entire account in error not occured, we would have released more songs. Unfortunately, it did occur, and therefore there are still more to be released.

The newest chart features two songs from Volume VI Side A, one from Volume VI Side B, two from Volume VII Side A, three from Volume VII Side B, and two from Volume VIII Side A. Will any of them feature next month?

There are no pages for the Band of Georges at Explicit Music at this time, although some may appear following further negotiations.

Each released song from the Band of Georges has a comment or a memory from George on its album’s page here at the Wud Records website. Some of that information, along with other facts regarding each song, appears at its page on SoundCloud. There is likely to be extra information given on the two separate pages, so we recommend you check out both.

For Volume VI Side A at Wud Records, please click here.
For Volume VI Side A at SoundCloud, please click here.
For Volume VI Side B at Wud Records, please click here.
For Volume VI Side B at SoundCloud, please click here.
For Volume VII Side A at Wud Records, please click here.
For Volume VII Side A at SoundCloud, please click here.
For Volume VII Side B at Wud Records, please click here.
For Volume VII Side B at SoundCloud, please click here.
For Volume VIII Side A at Wud Records, please click here.
For Volume VIII Side A at SoundCloud, please click here.

* None of our other acts made it onto the July 2025 chart. *

Listening Options

If you would like to go to SoundCloud to hear the top ten songs from Wud Records in July 2025, as played, liked, commented upon and reposted by listeners, please click here.

If you prefer to listen right here at the Wud Records website, you will find that it is the new default music player. You will find it on all non band-specific pages at the site, including our Links collection and homepage.

The July 2025 chart has its very own dedicated page among the charts pages of this website. You can listen to the new compilation on its page by clicking here.

Each of the previous charts also has its own page in the charts section of this website. If you would like to see all our old charts, or for any previous month you are especially interested in, all of them can be accessed easily by clicking here.

Summer 2025 Musical Discoveries

A brand new playlist of all the favourite musical discoveries of the Wud Records team has been published at SoundCloud. All of the artists on it are amazing independent or unsigned artists who are making great music that simply aches to be heard.

These artists are not associated directly with Wud Records in any way. We simply accumulated songs that we all liked during Summer 2025 into one agreed playlist and published it on the first day of the new month.

Tracks have been arranged according to the number of plays at the time of publishing, starting with the fewest. Tracks that are early in playlists tend to receive more plays than later tracks. We are inclined to believe that the music which has had the fewest streams needs the best chance of exposure.

If you find some new favourites on there, why not shout about them on your social media channels? It costs you nothing to do so. The artists responsible for creating the music will welcome such word-of-mouth exposure. Many of your friends and followers would enjoy hearing the music too. At the very least… you might end up making an independent musician’s day.

Sharing Is Very, Very Important !!

Sharing is a massive help for independent artists. They don’t have big corporations and mainstream media saturating every channel with their product. Every independent share counts.

Giving something a ‘like’ is nice, but sharing exposes the artist to your followers. This means that anybody in your community can see and click on what you shared. They can potentially enjoy it as well. It enables somebody new to discover the artist and become their newest fan. You create the chance for that to happen.

Are you a musician whose SoundCloud track we liked, shared or tweeted during the last three months or so? If you are, there is a possibility that one of your tracks that we shared might be on this new playlist.

Can you complete the challenge of listening to every track on a musical discoveries compilation? If you manage it, tell us! Tell the music makers involved. Tell the world on social media how you feel about what you heard. The people concerned would love to know your thoughts.

We appreciate the fact that in 2025 not many have the time, patience or attention span to listen to even one track all the way through, let alone a whole playlist. Anybody who listens to even half of a musical discoveries compilation is somebody of exceptional stamina.

As such, we occasionally tend to big up on Twitter the people who manage to listen to a whole playlist. If you want a bit of free promotion from Wud Records on Twitter, you know what to do.

Towards the bottom of the page is a list of the artists and tracks in the compilation. The artist name is clickable and links to an external website where you can find out, hear and see more of the artist in question. Sometimes finding these links can take quite a bit of research as many artists are not especially skilled at linking all their pages together.

A disclaimer! Clearly we cannot take responsibility for any of the content or functionality of these pages. If you find that something isn’t working as it should, please let us know what’s up and we’ll try to find a remedy.

The links we use are for future-proofing. If the artist decides to leave SoundCloud or removes their track from that platform, you might still be able to enjoy hearing them elsewhere with a cunning click of the mouse.

If you are the artist and would prefer us to use a different link to the one we added, or if we got something a bit wrong, please send an email to info @ wudrecords . co . uk (without the spaces) so we can fix it for you.

Generally we try to use the artist’s own site where possible. This helps drive a little traffic to the artist’s website, which might not receive many visits compared to e.g. facebook or spotify. We also tend to link to something a bit more future-proof than “Listen to our latest single!” as we hope these playlists will be around for a long time to come.

We only linked to SoundCloud as a last resort when we were unable to find anything else, as users can already click the track and go to the artist’s SoundCloud page for themselves.

Free Promo For Great Music

We hope that a lot more people will find and listen to the wonderful songs on this new playlist of musical discoveries. Each and every track has something that we felt was special or interesting in some way. In many cases it was a tough job to choose just one track from an artist.

The playlist is very eclectic, so there is probably something on there to suit every taste. If the track you are listening to isn’t quite doing it for you, skip to the next one and perhaps that will please your ears more. Sometimes similar tracks end up next to each other, and sometimes extremely different tracks do, so we recommend you just try it for yourself.

In addition to the latest compilation being our pinned tweet on Twitter, every week on Twitter we used to boost a previous Musical Discoveries playlist and a featured track from that playlist. Occasionally we still do, although that platform is a poor shadow of what it once was. The featured track is chosen by the Wud Records team and is one which is a real favourite amongst us.

All of the featured tracks can be found on a separate page at our website by clicking here, or on SoundCloud by clicking here.

On Twitter we encourage people to vote for the next featured track. These votes are added to the votes cast by our team. All the featured tracks form an additional compilation, which we also used to tweet frequently and occasionally still do.

We used to tweet just about every day. Since late 2021 things have become increasingly busy, meaning we are not able to spend as much time on social media as we used to. Full tweeting days are now something of a rarity. When they happen, we try to do a clump of full days together over a period of a fortnight, if possible.

Now that Twitter has been largely destroyed by its newest owner, it is difficult to foresee a time that we will be tweeting much at all any more. Perhaps someday somebody will buy the platform from him and repair all the damage he has done. Until then, it’s become even more delinquent than farcebeak.

Wud Records has set up camp at BlueSky and if you would like to follow us there, we would be delighted to have you on board. Click here to find us!

How We Work It

If you would like the opportunity to be included in a future compilation, first you need to follow us on SoundCloud so we can follow you back. You can even enjoy hearing some of the music by our fabulous bands whilst you’re there. :)

We follow everyone back who follows us on SoundCloud, providing you have original music and you are not some kind of phony pointless scamming account.

There are many scammers who can allegedly make it seem that people have been listening to your music. The ‘plays’ come from bots and click farms. Nobody will engage with the music or even hear it. It is very easy to spot a track that has been boosted in this way, so just don’t do it. Spend your hard-earned musical coins on something useful!

We generally listen to at least seven songs, starting with the spotlighted tracks if there are any. After that we go to the most recent by clicking on your ‘tracks’. This way we can hear both the things you want us to hear the most (your spotlighted tracks), and then whatever you have been releasing to SoundCloud most recently. This enables us to get a rough feel of what you are all about and what you are doing. We also read your bio.

Our people listen to everyone we follow at SoundCloud on a first-in-first-out basis. It typically takes a few weeks for us to reach the newest additions. We always have a massive amount of music to listen to, and we use a quorum of a minimum three listeners, so please be patient and eventually you will be heard.

Summer 2025 completes a ninth year of Wud Records Musical Discoveries compilations. That means exavctly 100 compilations of amazing independent music you almost certainly never heard before! Why not put one on in the background whilst you’re busy pottering around the house or doing what you are doing? Something is bound to leap out at you.

Listen and Enjoy

If you would like to listen to the new playlist of Summer 2025 Musical Discoveries over at SoundCloud, please click here.

To enjoy the new playlist of great music here at the Wud Records website, please click here.

If you would like easy access to all of the previous musical discoveries playlists, please click here and bookmark the page.

Remember that we publish a new playlist absolutely full of largely undiscovered musical treasures every three months and who knows – one might even include you!

Important!

Episode #96 was the last monthly Musical Discoveries compilation for the time being.

We have moved to a quarterly release schedule due to the strangling of social media (more here: https://www.wudrecords.co.uk/news/wud-records-social-media-is-dead/) and a general waning interest in music.

For further information, please read this: https://www.wudrecords.co.uk/news/wud-records-future-of-musical-discoveries/

Also Important!

Now we have completed 100 compilations of the wonderful music we have found, the Musical Discoveries, what is the future for this series? What would you like to see and hear in future compilations, if there are any? Shall we stop now? Does anybody actually… care?

SoundCloud accidentally deleted the Wud Records account. It is now in the process of being restored again. It may take some time, but apparently everything should be fixed. Eventually.

You may have noticed that our SoundCloud disappeared for a while and that our pages there are somewhat degraded. This was caused by some sort of error at SoundCloud. We have been told that SoundCloud are working to restore our pages and information so that they will be as they were before the error took place.

On Sunday 20th July, we reported some spam on one of our pages. There are a lot of fake accounts that try to use SoundCloud to funnel new users – and hopefully naive users, in their business model – into joining a fake streams scam site. These things are useless and easy to spot. Don’t ever fall for their tactics!

Unfortunately, either an errant automated system or a sleepy Sunday lunchtime employee believed that our label’s SoundCloud was the spam, not the actual spam we were the victim of. As a result, SoundCloud accidentally deleted our account, along with all of our songs, playlists, comments and everything else.

Naturally, we were horrified. It’s not easy to contact the customer support section of SoundCloud. They are hopelessly understaffed.

When we first joined SoundCloud, their customer support was first class. Due to staffing cuts, all of the best people we were in touch with there disappeared. The company put in place systems that were not for for purpose. They are a little better now, but still not terribly good, especially compared to some years ago.

All the same, eventually we managed to have our pleas heard and our account started being restored, about 22 hours after it was deleted.

It is stilll in the process of being repaired and a number of things are not right yet. We have been told that this is a caching issue. Should it not repair itself, SoundCloud‘s techies should be able to fix the things that remain broken. Let’s hope we will be lucky on those fronts!

This issue has highlighted how reliant we are upon this one platform to drive our embedded players. We shall be looking at ways to diversify our catalogue across more platforms in the coming days and weeks.

Meanwhile, something like normal service may soon resume.

The June 2025 Chart

The top ten tracks for June 2025 from Wud Records have been published in a new compilation at SoundCloud.

We shall elaborate further with regard to each platform where our music is represented.

Bandcamp Is Still the Best Platform for Artists

If you are not yet a member of Bandcamp, we strongly suggest you sign up, whether you are an indie label, a musician or a fan of music, or all three. Do it now! It’s free to join. Just click here. :)

For any independent artist or label wanting to sell music or merch, there is no better place on the web to do so. If you don’t believe us, check out any search engine to see what other artists have to say about what the best site is for independent artists and labels. Bandcamp are simply Numero Uno. Finito!

When you subscribe to a music streaming platform, you don’t actually *own* any of the music. You’re just renting a bit of bandwidth on their distribution service, and most of the rent revenue you are paying for it goes to big corporations rather than the artists you love. It’s a terrible business model, both for artists and fans alike.

Consider also this. There is always a danger that streaming services might remove music or artists from their platform (e.g. the recent dispute between Universal Music Group and TikTok), or the platform may even cease to exist altogether. Remember VitaminIC, MySpace, FriendsReunited?

To avoid having the soundtracks to your life erased, we strongly recommend buying physical media and downloads so you can listen to your favourite songs whenever you wish. You know it makes sense!

Whilst several music platforms offer music downloads, they all charge a lot more and take a much bigger percentage of that higher price then Bandcamp does.

This means that you pay more, the band receives less, and a big greedy corporation takes a big old chunk of the money you paid to support the artist all for itself, just because it can. It’s a lose-lose situation, unless you happen to be a big greedy corporation who can rip people off however the fancy takes them.

Buying music from Bandcamp will cost you less and support the artist more. About 80% to 85% of what you spend at Bandcamp goes directly to the artist or their label, and is paid daily.

So it’s always a good idea to download from Bandcamp whenever possible, as they are the best site for supporting artists. For us, one download of a €7 album is worth about 3300 snotify streams.

You can even pay more than the asking price for music on Bandcamp if you wish to add a little extra support for the artist. Again, this goes to the artists themselves, not some greedy anonymous megacorporation who only care for money, not the music you love.

There is also a rather fabulous Community feature at Bandcamp, and you can join ours by clicking here.

SoundCloud

We have been enjoying a massive amount of streaming at SoundCloud so far in 2025. In June 2025 we achieved more streams than any other previous month. In fact, June 2025 saw more streams than any other whole year we’ve had songs on SoundCloud apart from 2017.

Even though we have only completed five months of the year, our streams have already massively exceeded every previous year on record. This includes 2017, our previous best year, when the Atom Collector website was at its peak. This record breaking year is going to be a new high watermark, and will be a good challenge to beat. It’s very enjoyable to see the evidence of all our hard work travelling around the world!

Whilst we still do not fully trust the information we get from SoundCloud and its Insights system, there has been enough improvement in data quality in the last couple of months for it to be useful again.

Shitify

The data from the Wud Records Snotify for Artists pages covers everybody at that platform on our label. We also use the Snortify data from our distributors CD Baby and Soundrop.

Truth be told, we dislike spotify rather intensely right now. Not only are they tardy regarding supplying their stats, which don’t cover the exact range of dates we would like them to, they have also implemented their most hideously egregious policy so far from 1st January 2024.

Spotify have chosen to take all of the revenue generated by any track having under 1000 streams and redistribute that revenue to the people who have the most streams, such as drake, kanye, taylor and so on.

Read about it here: https://blog.discmakers.com/2023/11/spotify-royalty-theft/

This isn’t just theft, it’s an absolute disgrace. Whoever thought this up should be ashamed of themselves and publicly rogered with a wire brush. Size four.

Should our music achieve more than 1000 streams per track, which is highly likely over the course of a whole year, that means we are in effect stealing somebody else’s royalties when we are paid.

Just because a creative person achieves under 1000 streams for a song doesn’t mean we have the right to take their royalties. They probably worked just as hard as we did to make and release their music. They are no less deserving of their royalties than anybody else.

The whole thing is mucky and bad and makes us feel dirty for being paid not just our own royalties, but those of people who were unable to make the cut. This is just so wrong. It’s a proper mess.

Not only that, two of our songs have had “excessive” plays. This excess has resulted in punitive measures, which we are still protesting. It seems ridiculous, but that is what has happened.

One such song, Future Sadness Past from Dark Company‘s Signmaker album, was removed from spotify completely. In order to punish us for having our song played “excessively”, the rest of the Signmaker album was also removed from spotify.

The other missing track is Welcome to the Family by Flicker, from At Least 1000 Words.

Our distributors have so far been unable to help regarding these issues.

As such, we are considering boycotting spotify entirely. They are, after all, extremely shabby corporate scumbags, and have treated our label, and every other independent artist, with absolute contempt. Perhaps because we have spoken out repeatedly against their egregious policies?

Various members of our team have had quite heated arguments about the merits or otherwise of leaving our music on that wretched corporate megaplatform. For now it is still there, because it is easier to leave it there, than it is to remove it and then put it back. More news on this to come soon.

Deezer, Tidal, YouTube, Amazon, Apple Music, etc.

We are now using data from our distributors for streams on platforms such as YouTube, Deezer and so on when reckoning the monthly charts. Unfortunately the data arrives several days late, so we only use it to extrapolate general trends.

The data for these services filters through to us via our distributors, although we are not very trusting of it. At best we can get a general feel of what is going on across all of the streaming services this way.

In Conclusion…

Previously the algorithm we used gave greatest weight to downloads and reposts, then likes and comments (active engagement) over plays (passive engagement).

If somebody actually pays to download something, they must have liked it! Our artists and ourselves are always very grateful to our supporters in this respect. It genuinely helps keep the fires burning and the wheels turning.

When somebody reposts a track, that gives it the opportunity to be heard by a potential new fan. This is always a tremendous help for creative souls. It enables that track to be discovered and enjoyed by the community of the person doing the sharing, which can generate new fans.

A ‘like’ is nice, but reposts actually helps the artist reach a bigger audience. You create the chance for that to happen. Recommending a song costs you nothing at all and can be a massive help for an independent artist. Why not do it now? :)

How Did We Calculate The June 2025 Chart?

The latest system is based upon some of the general tendencies and trends that have occured over the last calender month, as well as specifics where they are available. These have been amalgamated together to make the new Top Ten.

We have combined the stats from the general trends and tendencies from all of the services mentioned above. Each platform is represented and results from each are weighted and added together. Archive tracks and bonus tracks are ignored. The feedback from people who clearly didn’t listen to the music is now rendered insignificant.

Only you, the listener, can influence our June 2025 chart. So if there is a song you particularly like, keep playing it! Leave a comment, repost it, share it to your social media feeds! Download it from our Bandcamp! Add it to a playlist! It absolutely can make a difference.

Thanks For All Your Help!

Massive thanks go out to everybody who helped to support all of us during June 2025 by listening to, commenting on and reposting our bands’ tracks on SoundCloud, Bandcamp and elsewhere.

All the wonderful fans of our bands who supported us with downloads from Bandcamp are especially appreciated. Just one download of a €7 album is worth about 3300 snotify streams. By buying a download, you genuinely help us keep the fires burning, and collectively we thank you for that most graciously. May you be blessed by the gods of rock n roll! :)

We would also like to say a special thank you to all the splendid people on Twitter and BlueSky who have been enjoying and reposting our tracks to their followers. All the support and positive feedback has been incredibly heartwarming for us all. It makes our endeavours here feel worthwhile.

Thank you very much to everyone who bought items from our merch store. Anyone who shares a photo of themselves with their Wud item on social media will receive an extra goody from ourselves once we have seen it and shared the photo on to our community as well.

If you buy something cool from the Flicker merch store, or the Dark Company merch store, we shall also send you an extra goody if you show us a photo of yourself (or friend, or environment) on social media with the item you purchased.

Last and by no means least, we would like to say thank you very much to all of the splendid people who have been buying us coffees at BuyMeACoffee. It’s very kind of you to help us out. All of these things absolutely contribute to ourselves being able to keep going, and spend more time making beautiful music for you to enjoy. It is truly appreciated very much indeed.

Who’s In The June 2025 Top Ten?

The latest top ten features only one act – the Band of Georges. This happened just once before, two months ago. Eight of the songs are new entries. The other two are both climbers.

We anticipate a lot of new entries will find their way into our charts until all of the Band of Georges material has been released.

It is possible we will be finished with those releases during the forthcoming month of July. Once they are done, the other things we have finished in the meantime will also be released. Lots to look forward to!

Band of Georges

As we are releasing a lot of the Band of Georges demos, and shall continue to do so until they are all available, our charts are likely to be a bit strange for a month or two longer yet. We are typically seeing 500 to 1000 streams on SoundCloud every day, and not even Spotify can compete with that.

A couple of months ago, we absolutely could not have anticipated the level of dominance over the charts the Band of Georges has had. Why? We were not even expecting to release any of these songs at the start of March! How swiftly things can happen. And what a month it has been for one of our most revered stars, claiming all of the spots in the top ten.

The Wud Records website was launched in 2008, replacing the old Wud site which simply disappeared soon afterwards. Ever since before the Wud Records website went live, various people tried to persuade George to allow his old Tascam 244 portastudio demos to be released. He always refused, point blank. There was no arguing with him. It was just: “No.” And that was that.

And then, suddenly, he seems to have had a change of heart. He allowed a few of us to listen to his demos, which we thought were surprisingly good. Certainly a lot better than we had anticipated, given everything he had said about awful they were. Whatever it was that happened, we are delighted that it did. Because now, we have been allowed to release all ten volumes of his early songs in their demo form.

We have done very little work to these recordings. They were just lifted from their master cassettes and digitised in our studios, and normalised to 0dB. That was it. Everything sounds just as it was. The cassettes, nearly 40 years old, have stood the test of time very well.

All of these songs will take some time yet to release. Volumes I to VI are finished aleady and Volume VII is at its halfway point, with Side A finished and Side B about to begin.

The newest chart features one song from Volume V Side A, two from Volume V Side B, two from Volume VI Side A, one from Volume VI Side B, three from Volume VII Side A, and one from the Песня За EP. Will any of them feature next month?

There are no pages for the Band of Georges at Explicit Music at this time, although some may appear following further negotiations.

Each released song from the Band of Georges has a comment or a memory from George on its album’s page here at the Wud Records website. Some of that information, along with other facts regarding each song, appears at its page on SoundCloud. There is likely to be extra information given on the two separate pages, so we recommend you check out both.

For Volume V Side A at Wud Records, please click here.
For Volume V Side A at SoundCloud, please click here.
For Volume V Side B at Wud Records, please click here.
For Volume V Side B at SoundCloud, please click here.
For Volume VI Side A at Wud Records, please click here.
For Volume VI Side A at SoundCloud, please click here.
For Volume VI Side B at Wud Records, please click here.
For Volume VI Side B at SoundCloud, please click here.
For Volume VII Side A at Wud Records, please click here.
For Volume VII Side A at SoundCloud, please click here.
For the Песня За EP at Wud Records, please click here.
For the Песня За EP at SoundCloud, please click here.

* None of our other acts made it onto the June 2025 chart. *

Listening Options

If you would like to go to SoundCloud to hear the top ten songs from Wud Records in June 2025, as played, liked, commented upon and reposted by listeners, please click here.

If you prefer to listen right here at the Wud Records website, you will find that it is the new default music player. You will find it on all non band-specific pages at the site, including our Links collection and homepage.

The June 2025 chart has its very own dedicated page among the charts pages of this website. You can listen to the new compilation on its page by clicking here.

Each of the previous charts also has its own page in the charts section of this website. If you would like to see all our old charts, or for any previous month you are especially interested in, all of them can be accessed easily by clicking here.